In 2016, Danacable’s Lazuli Reference headphone cable received a Product of the Year award from Headphone.guru:
"It has long been the mantra of high-end audio that cables are as much an audio component as any other part of your system, and this also applies to headphone cables. More so than any other component, it is the job of the headphone cable to get out of the way and do nothing to the sound, letting the music through and Dana Cables Lazuli Reference Headphone Cables do an exemplary job of this, allowing all the resolution, dynamics and silence to pass through without slowing, congesting, compressing or adding tonal changes to the signal. More so than any other headphone, a reference headphone deserves a reference cable which is why we have made Dana Cables Lazuli Reference Headphone Cables our Accessory of the Year."
– Gary Alan Barker
We will again be showing this setup at AXPONA in Chicago on April 21-23. Please be sure to stop by the Ear Gear Room to listen if you plan to attend AXPONA
Take a look at the Lazuli Reference and other Danacable™ products at danacables.com.
At the RMAF 2016, we showed the prototype model of the new DanaTone Head-Space headphones amplifier to rave reviews. Dave Hanson of Enjoy The Music writes: “Arguably one of the most impressive products to debut at CanJam at RMAF was the yet-to-be-released DanaTone Head-Space amplifier (price TBD). Developed by Dana Robbins, who is best known for his fantastic lineup of cables, the Head-Space uses a proprietary selective current feedback technology to deliver tight and impactful bass, euphonic mids and well-controlled treble. The soundscape was quite spacious, with very precise variations in imaging depth, width and height. Through the HIFIMAN HE1000, the Head-Space exuded lush musicality without sacrificing an ounce of accuracy.”
On the Lazuli Reference cable, he adds: “I’ve done extensive testing with this cable (review forthcoming) and it offers the most beautiful, natural midrange and the absolute best bass of any cable I have ever tested. Combined with the Head-Space amplifier and the HIFIMAN HE-1000, the sound left very little to be desired.”
We will again be showing this setup at the NYC Audio Show on November 4-6. Please be sure to stop by to listen if you plan to attend the NYC Audio show.
We at Gingko Audio and Danacable are doing our part in supporting the arts.
We are sponsoring a classical concert on Sunday October 16, 2016 at the American Philosophical Society, Benjamin Franklin Hall, 427 Chestnut Street, Philadelphia, PA
- John Dowland A Fancy
- Dai Fujikura Chance Monsoon
- Bach Prelude, Fugue, and Allegro, BWV 998
- Fernando Sor Fantaisie, Op. 56, “Souvenirs d’une soirée à Berlin”
- Elliot Cole Bloom Suite
- Jason Eckardt suspension/bridge (World premiere, made possible by Astral’s Micro-Commissioning program)
- Roland Dyens Libra Sonatine
This fantastic program is a part of the Astral In Concert series featuring the best young talents in classical music. Astral is a non-profit organization whose mission is to discover the most promising classical musicians residing in the United States, assist their early professional career development, and present their world-class artistry to the community through concerts and engagement programs.
Learn more at www.astralartists.org!
So you’ve read all about Gingko Audio’s vibration control products – from the inexpensive Mini-Clouds to the Cloud 14A that is designed specifically for lighter components to the Platformula™ rack. This simple guide will help you pick the right Cloud™ for your application.
Each Gingko Audio vibration control product has a bottom plate with dimples on it to hold the balls. The balls provide suspension to support a load. Adding more balls creates stiffer suspension, while removing balls results in softer suspension. A stiffer suspension will make the music punchier, with more dynamics, while a softer suspension will make the music fuller, with more body. You can tune the music to your taste by adding or removing balls from the Cloud™ base. You will need a minimum of three balls to support a component. Each ball is designed to support an optimal weight of 10 lbs and a maximum weight of 20 lbs.
The number of dimples on the bottom plate vary across the Cloud™ Series. The Mini-Clouds come as sets of three bases with individual dimples. The Semi-Cloud has 9 dimples so it can hold a maximum of 9 balls for an optimal load of 90 lbs. The Cloud 10 has 15 dimples. The Cloud 11 has 10 dimples inside larger wells to prevent the balls from rolling off the dimples. Besides the suspended Cloud supporting the plinth, the Cloud 12 has a separate fixed platform to hold the motor pod to prevent the vibration from the motor to transfer to the main turntable.