All in all the Gingko Cloud 11 is a great product at a reasonable price. It is simple to set up and use and it does what it claims to do. It looks good under even the most well manufactured components and larger sizes are also available, (the largest is 26″ x 20″) for oversized turntables and components.

Adam Goldfine, Gingko Audio Cloud 11 Vibration Control Platform, Positive Feedback, Issue 39, 2008

If you own a turntable you owe it to yourself to try this superb product at an honest price. The music emerges from a cleaner background, the overall presentation is livelier, the soundstage larger and more detailed. Individual instruments and voices now contain missing detail.

John Zurek, Gingko Audio Cloud 11 Vibration Control Platform, Positive Feedback, Issue 36, 2008

Rather than expanding the soundstage, the Gingko cleans things up without changing the size of the performance. This allows the background to seem blacker, images to float a little more, and dynamic nuances to be more easily conveyed.

John Herzog, Tweakers’ Asylum – Isolation Devices Binge Update (Very Long), Audio Asylum, February 2005

I immediately noticed that the bass was better. ALL OVER better. Firmer, deeper, tighter — the whole nine yards. And I could play the LP VERY loudly with no problems at all.

Robert Hughes, Vinyl Asylum: REVIEW: Gingko Audio Cloud 11 Isolation Platform Turntables by Skylab, Audio Asylym, November 2004

Unlike most cones and footers I’ve tried, the Cloud 11 did not highlight portions of the frequency spectrum. Instead, I noticed a quieter aural canvas where instruments and voices emerged from a blacker backdrop with greater focus and definition. Bass was tighter and music had a slightly more dynamic snap to it. The upper midrange and highs were also sweeter, with less sibilance and glare.

Paul Candy, Paul Candy Presents Audio Candy, 6moons, November 2004